During the late 80s and 90s very few male skaters ever displayed the same energy and light effortless elegance on the ice like David Liu of Taiwan did. Having first fallen in love with dance as a child and training as a classical ballet dancer, he had the perfect opportunity to translate the gifts of musicality and poise into each of his programs.
Throughout his long career on the international scene spanning from the 1988 Winter Olympic Games in Calgary up to the 1998 Olympics in Nagano, David Liu had the honor of being the very first skater to represent Chinese Taipei at international competition, as well as the first skater from that country to reach the final stage at the Olympics and Worlds, and win an international skating competition (1992 Nebelhorn Trophy). Despite not having his presentation talent properly appreciated by the international judges at the time due to the lack of political support, David is still remembered today by experienced fans as an exquisite artist who instantaneously drew the crowd into his world, with his unforgettable performance at the 1992 Olympics being the crown jewel in his lengthy career.Continue reading “David Liu – One of the last true artists: An interview (Part I)”
In the wild spectacle of elite sports, stars ascend quickly, shine brightly and fall down in an instance if they are not able to win big during the narrow window when their physical abilities are at their peak. Media and fans, hungry for thrill and eternally seeking new favorites to replace yesterday’s heroes, usually do not put much thought into this endless cycle. It is either a story of continuous undefeated success that sticks in the minds of the viewers, or a tale of defeating impossible odds to rise to the top. It is no wonder why these stories of overcoming adversity receive high coverage during the Olympics, with the emergence of the concept of athletes making miraculous comebacks to fulfill their “Olympic dream”.
And figure skating, like all sports, is a straightforward, simple and extremely cruel game: the most capable rise to the top, the less talented or misfortunate ones are easily replaceable both by their federations and in the eyes of the audience. Unfortunately, little attention do we pay to the fact that for every Yuna Kim, Yuzuru Hanyu or Evgeni Plushenko who garner and inspire countless dedicated fans with their astonishing abilities and competitive drive to beat all odds, there are thousands of equally amazing figure skaters who come painfully short of achieving their immense potential. A few of them live in the collective memory of the community as a cautionary tale for the dangers of the sport; the overwhelming majority end up a mere sporting statistic.
Ilia Klimkin is arguably one of the most talented figure skaters to ever come out of Russia – and probably one of the biggest wasted talents from there, and that says a lot for a country that prides itself on being one of the leading powers in the sport. He was almost up there with Evgeni Plushenko and Alexei Yagudin in terms of raw talent and artistry, but unlike the other two, he lives in the minds of figure skating aficionados today as a collection of a few faint fragmented memories. Yet, I am still to find a story which more beautifully illustrates the hypocrisy, unfairness and ultimate meaninglessness of elite sports on all sides, like the career of this largely forgotten skater does.
On paper, Yuri Ovchinnikov’s career doesn’t look too bad but he is barely remembered today. Being one of the emerging talents from the Soviet Union in singles skating during the late 60s and 70s, he won a bronze medal at the European championship in 1975, and made the top 10 of the world four times, often getting overshadowed results-wise by other soviet skaters including Sergei Chetverukhin (1972 Olympic silver medalist), Sergei Volkov (1975 world champion) and Vladimir Kovalev (1976 Olympic silver medalist and two-time world champion).
What sports records omit from the picture was that Yuri was far ahead of his time, being born in an era when his talents were just not rewarded the same way they would have been at a later time – with his infinite passion and energy on the ice, innovative choreography, musicality and lyrical expressiveness, and huge jumps which left spectators gasping in awe, he was considered a “king of the free skate”.Continue reading “Yuri Ovchinnikov – A genius born in the wrong era”